The Department of the Army's Office of the Chief of Public Affairs, Western Region (OCPA-West), is the entertainment industry's direct liaison to the United States Army. Its primary purpose is to assist film, television, and video professionals in all matters relating to the United States Army. OCPA-West is staffed by experienced personnel with many years of military service who are thoroughly familiar with the industry production requirements.
The personnel at the OCPA-West will: act as a local, authoritative source of information about the U.S. Army, providing authentication, verification and limited research for producers, directors, writers, property masters, wardrobe supervisors, film editors, etc. Provide assistance and advice to scriptwriters during initial writing phases; review rough drafts or treatments and suggest changes prior to script finalization. Arrange for and coordinate the use of Army equipment and supplies not commercially available.
Coordinate requests for U.S. Army stock footage. Arrange for and coordinate with Army installations or properties for location filming. Coordinate requests for personal appearances of U.S. Army personnel.
We can be reached at:U.S. Army Office of the Chief of Public Affairs, Western Region6230 Van Nuys Boulevard, Suite 2001Van Nuys, California 91401-2724Phone: (310) 279-8342Fax: (818) 616-3672
You will need to send a letter on production company letterhead to this office stating your proposal to produce a specific entertainment project. This letter should include your production company's credits or "pedigree" and a synopsis of the story identifying any potential benefits to the Departments of the Army and Defense for assisting in the project. Additionally, the letter should identify your "first blush" Army equipment, personnel and location requirements. Lastly, identify the general time frame in which you wish to proceed (expect a six to ten week delay from the date you initiate correspondence before Department of Defense approval is received).
For scripted projects, you must also submit a copy of your script. Once the script is reviewed and determined appropriate for forwarding to Washington, additional copies will be required. After your project is forwarded for approval, it will be reviewed by other Department of the Army agencies to determine historical accuracy, feasibility, etc. Copies of the script will be sent to the Department of Defense with comments and recommendations for Army assistance.
The Office of the Assistant Secretary of Defense (Public Affairs) will review the material submitted, and will have the final word on whether or not the Department of Defense will provide assistance to a project.
If Department of Defense assistance is granted, a project officer will be appointed to work with your production. You will also be required to sign a production agreement.
You may be required to provide a cash advance to cover reimbursement of government expenses incurred by military units supporting your project. The Army's project officer will determine this amount, based on your equipment and personnel requirements. Your check will be deposited into an escrow account established by the project. Remember you need to allow extra time for approvals if your story involves other military services or government agencies.
OCPA-West will coordinate your request with the Army staff. Then we will forward the request to the Army's Office of the Chief of Public Affairs, which will provide a recommendation to the Department of Defense. Final approval of all requests for military assistance (regardless of the branch of service), rests at the Department of Defense's Office of the Assistant Secretary of Defense (Public Affairs), Director of Entertainment Media. Remember, although Department of Defense is the final approval authority, the Director of Entertainment Media will not act on your request without a recommendation from the Department of the Army. Therefore, calling OCPA-West is the first action you should take to get approval.
The following criteria are used to judge the possibility of fully supporting entertainment industry requests.
- The production must benefit the Department of Defense or otherwise be in the national interest based on the following factors:
- The production must help increase public understanding of the Armed Forces and the Department of Defense.
- The production should help Armed Forces recruiting and retention programs.
- The production must be authentic in its portrayal of persons, places, actual military operations or historical events. Fictional portrayals must depict a feasible interpretation of military life, operations and policies.
- The production should not appear to condone or endorse activities by private citizens or organizations that are contrary to U.S. Government policy.
- The producer must agree to sign and abide by the production agreement and DODI5410.16 (you will receive copies of both documents early in your coordination).
- Military assets requested must be available when required.
Department of Defense commitments will be made only after: both the script and the requirements list have been approved; the producer has indicated a distribution arrangement or has demonstrated capability to complete the production; and upon completion of the written Production Assistance Agreement, that formalizes the relationship between the production company and the Army.
When the Department of Defense has provided equipment, location, and/or personnel support to a project, the completed production must be submitted for official Department of Defense screening, prior to public release and before the print is locked.
Upon receipt of your notification of completion of principal photography, the project officer will provide appropriate names and wording to be used in the credits. The credit title will be confirmed for final use only after the film has been officially reviewed and approved.
Yes, when Department of Defense has assisted on a production, you will be obliged to furnish, on request, prints or duplication material. The production will provide the Department of Defense with a minimum of five (5) copies of all promotional and marketing materials (e.g., electronic press kits, one-sheets, and television advertisements) for internal information and historical purposes in documenting DoD assistance to the production. Additionally, the production company will provide a minimum of five (5) DVD copies of the completed production to the Department of Defense for internal briefings and for historical purposes, by overnight shipment to arrive the day following the domestic airing or commercial distribution of the production. The Department of Defense agrees not to exhibit these productions, but will be permitted to copy short clips from them for purposes of internal information, education, and training.
Usually the project officer can act as the technical advisor. On matters that require a special skill, however, a technical advisor may be called in, if requested by the production company and when considered to be in the best interest of the Department of Defense.
The project officer will make the arrangements for the technical advisor's arrival, but, like the project officer, all expenses, to include travel, housing, and per diem, will be met by the production company.
Active duty personnel may appear in your film, but they must do so on a voluntary basis, while in a non-duty status, and at no cost to the government. They can be hired individually as extras and in accordance with the current and local industry standards. OCPA-West can help notify soldiers that the production company needs extras but it cannot arrange for them to be hired. Soldiers who are hired as extras must meet the standard Department of Defense height and weight, grooming, appearance and military courtesy standards; those failing to do so may be told to leave the set by the project officer. Soldiers performing their standard duty may be used as background if it does not interfere with their duties. Soldiers doing their physical fitness training, driving vehicles, marksmanship training, or marching are examples of this.
Filming at active Army or Department of Defense installations is governed by Department of Defense Instruction 5410.16, DoD Assistance to Non-Government, Entertainment-Oriented Motion Pictures, Television and Video Productions. Productions filming at Army locations must not impair the operational readiness of the Army, must conform to established Army safety standards, and must leave the property in same or better conditions as when they were made available. A request for access to Base Realignment and Closure property for film production purposes should be submitted by the production company to the Local Redevelopment Authority (LRA) for the installation. If no LRA has been established for the installation, such requests should be submitted to the installation commander, site manager, or caretaker officer, as appropriate, for the installation.
If your project does not depict the Army, the only posts you might be able to film on are those that are on the Base Realignment and Closure List, or the BRAC list. Leases to film at BRAC sites will be handled through the Association of Film Commissioners, International (AFCI) member in whose jurisdiction that post is located.
You must submit a copy of your script if you want Army support, including filming at active Army installations or using Army equipment or personnel. Exceptions to the requirement for script review are made for productions being filmed at installations that have closed.
What are my financial responsibilities to the government?
Additionally, the production company is responsible for ensuring that all Army equipment and facilities used are restored to their original, or better, condition.
The Army can provide courtesy assistance to your project. The main difference between full and courtesy assistance is that we cannot provide access to facilities, equipment or personnel for filming unless a project is approved for full support. With courtesy assistance, we will review your script and point out errors that you may or may not want to correct. We can also advise you on the correct types of equipment to use and the markings for them. If you would like, and we have the time, we may be able to visit the set to provide some assistance.
Proposals for television series must include objectives and format of the series and story treatment, or other evidence of overall series content. Each episode must still qualify individually under provisions of the basic policy. A specific plan to expedite review of scripts and film will be arranged. Proposals for music videos are treated just like movies, except we decide whether to support the project based on the song as submitted, the storyboard of the video and the support requested.
The production company will be billed only for those expenses that are considered to be additional expenses to the government. In no way can the taxpayer finance entertainment projects. The following are generally considered to be reimbursable costs:
- Petroleum, oil and lubricants for equipment used.
- Resultant depot maintenance.
- Expendable supplies.
- Travel and per diem.
- Civilian overtime.
- Replenishment spares.
- Lost or damaged equipment.
- Commercial power or other utilities for facilities kept open beyond normal duty hours or in such cases where the production company's consumption of utilities is significant.
- Costs incurred in diverting or moving equipment to a specific location to support production requirements.
- All flying hours associated with production company requirements, except when missions coincide with and can be considered legitimate operational and training missions.
- Military manpower costs for National Guard or Reserve personnel assigned to production support (such as drivers and pilots).
- Additionally, the production company is responsible for ensuring that all Army equipment and facilities used are restored to their original, or better, condition.
All charges will be compiled by the military installation furnishing Army assets and monitored by the assigned project officer, who will provide them to the Production Company. Payment will be made from the production company's cash advance that has been placed into an escrow account by the project officer. If more money is needed, the production company will be notified by the project officer and the money will be transferred to the escrow account. Any money left in the account after all bills have been paid will be forwarded back to the production company by the project officer.
If the command providing support agrees, the escrow account can be waived and payment can be made after the support is given. The project officer has 45 days after principal photography is completed in which to consolidate the bills and forward them to the production company.
The production company will pay for all transportation and billeting needs of the project officer. To ensure rapid communications with decision-makers are possible, the project officer should travel with and be billeted with the film's producer. Per diem for Army personnel is non-taxable. The production company will also make the same arrangements for any technical adviser requested by either Department of Defense or the production company, and the Department of Defense, Director of Entertainment Media. Beyond operational expenses, the production company will not be charged for asset usage (i.e. rental and/or depreciation factors).
If you are looking for footage which will be included in a feature film, you must: Send a letter or email to OCPA-West, requesting access to the Defense Imagery Management Operations Center (DIMOC). The request should state the reason the footage is needed and the subject matter of footage desired. Once approved, you will need to contact the DIMOC, to research, select and purchase the required footage. It is located at March Air Force Reserve Base in Riverside, California. The DVIC is a Defense Contract Agency; therefore, public requesters are charged for research and duplication of the requested footage. The DVIC staff can explain the fee schedule to you. The DVIC has transferred most of its material prior to Vietnam to the National Archives in Washington D. C.; you will have to contact them directly. http://www.defenseimagery.mil/index.htm
Motion picture footage shot with Department of Defense assistance and official Department of Defense footage released for a specific production are not to be used for other productions without approval. It is your responsibility to ensure that stock footage obtained from the DVIC is used only in conjunction with the production specified, unless specific approval for additional usage has been obtained from the Departments of the Army and Defense. Edited motion picture footage from completed productions and from animation will not be released except by special authorization from the Department of Defense. Requestors will be required to furnish letters of indemnification on certain categories of material when the original source cannot be determined.
The main points of a production agreement are:
The Department of Defense (DoD) will appoint a project officer to the production who will coordinate military support for the production company and will verify that depictions conform to the approved script.
- The production company agrees to consult with the project officer if there are changes to the agreed-upon script.
- The operational capacity and readiness of the military may not be impaired by the support provided.
- There will be no deviation from DoD safety standards.
- The production company will not damage or impair the appearance of DoD property and will restore property used for the production to the same condition, or better, in which it was made available.
- The production company agrees to indemnify and hold harmless the Department of Defense, its agencies, and personnel for any injury or damage to its personnel or equipment or agencies that occur on or with DoD property, unless it is determined to be caused by the negligence of DoD personnel and/or property.
- he production company agrees not to reuse or sell any footage shot or provided through the cooperation of the Department of Defense without the DoD's approval.
- The production company agrees to provide an advanced screening of the production to the Department of Defense.
- The production company agrees to provide appropriate military credits at the end of the film.
- The production company agrees to provide DVDs, posters, photos and media material to the Department of Defense for historical purposes.